week13
The three tragedy writers
Aeschylus
Aeschylus was an ancient Greek tragedian. He is also the first whose plays still survive; the others are Sophocles and Euripides. He is often described as the father of tragedy:critics and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays.According to Aristotle, he expanded the number of characters in theater to allow conflict among them, whereas characters previously had interacted only with the chorus.
Only seven of his estimated seventy to ninety plays have survived, and there is a longstanding debate regarding his authorship of one of these plays, Prometheus Bound, which some believe his son Euphorion actually wrote. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy; his Oresteia is the only ancient example of the form to have survived.
Sophocles
Sophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than those of Aeschylus, and earlier than or contemporary with those of Euripides. Sophocles wrote 120 plays during the course of his life, but only seven have survived in a complete form: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus.For almost 50 years, Sophocles was the most-fêted playwright in the dramatic competitions of the city-state of Athens that took place during the religious festivals of the Lenaea and the Dionysia. He competed in 30 competitions, won 18, and was never judged lower than second place. Aeschylus won 14 competitions, and was sometimes defeated by Sophocles, while Euripides won 5 competitions.
The most famous tragedies of Sophocles feature Oedipus and also Antigone: they are generally known as the Theban plays, although each play was actually a part of a different tetralogy, the other members of which are now lost. Sophocles influenced the development of the drama, most importantly by adding a third actor, thereby reducing the importance of the chorus in the presentation of the plot. He also developed his characters to a greater extent than earlier playwrights such as Aeschylus.
Euripides
Euripides(c. 480 – 406 BC) was a tragedian of classical Athens. He is one of the few whose plays have survived, with the others being Aeschylus, Sophocles, and potentially Euphorion. Some ancient scholars attributed 95 plays to him but according to the Suda it was 92 at most. Of these, 18 or 19 have survived more or less complete (there has been debate about his authorship of Rhesus, largely on stylistic grounds)and there are also fragments, some substantial, of most of the other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly due to mere chance and partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes and Menander.
Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance. Yet he also became "the most tragic of poets", focusing on the inner lives and motives of his characters in a way previously unknown.He was "the creator of...that cage which is the theatre of Shakespeare's Othello, Racine's Phèdre, of Ibsen and Strindberg," in which "...imprisoned men and women destroy each other by the intensity of their loves and hates", and yet he was also the literary ancestor of comic dramatists as diverse as Menander and George Bernard Shaw.
Chorus
A Greek chorus (Greek: χορός, khoros) is a homogeneous, non-individualised group of performers in the plays of classical Greece, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison and sometimes wore masks.
Tragic flaw
noun, Literature.the character defect that causes the downfall of the protagonist of a tragedy; hamartia.
for example:
The term hamartia derives from the Greek ἁμαρτία, from ἁμαρτάνειν hamartánein, which means “to miss the mark” or “to err”.It is most often associated with Greek tragedy, although it is also used in Christian theology.Hamartia as it pertains to dramatic literature was first used by Aristotle in his Poetics. In tragedy, hamartia is commonly understood to refer to the protagonist’s error or flaw that leads to a chain of plot actions culminating in a reversal from their good fortune to bad. What qualifies as the error or flaw can include an error resulting from ignorance, an error of judgement, a flaw in character, or sin. The spectrum of meanings has invited debate among critics and scholars, and different interpretations among dramatists.
Hubris
Hubris means, in a modern context, extreme pride or self-confidence; in its ancient Greek context, it typically describes violent and excessive behavior rather than an attitude. When it offends the gods of ancient Greece, it is usually punished. The adjectival form of the noun hubris is "hubristic".
Hubris is usually perceived as a characteristic of an individual rather than a group, although the group the offender belongs to may suffer consequences from the wrongful act. Hubris often indicates a loss of contact with reality and an overestimation of one's own competence, accomplishments or capabilities, especially when the person exhibiting it is in a position of power.
Deus
Deus is Latin for "god" or "deity". Latin deus and dīvus "divine", are descended from Proto-Indo-European *deiwos, "celestial" or "shining", from the same root as *Dyēus, the reconstructed chief god of the Proto-Indo-European pantheon. Compare Greek Zeus (Ζεύς dzeus; Aeolic Greek Δεύς deus) and Sanskrit देव deva. Latin dies ("day") is considered to have derived from the same PIE root that originated deus. This is to say that a celestial shining body, the Sun, gives material form to the words for "day" in the Romance Languages.
In Classical Latin, deus (feminine dea) was a general noun referring to a deity, while in technical usage a divus or diva was a figure who had become divine, such as a divinized emperor. In Late Latin, Deus came to be used mostly for the Christian God. It was inherited by the Romance languages in French Dieu, Spanish Dios, Portuguese and Galician Deus, Italian Dio, etc, and by the Celtic languages in Welsh Duw and Irish Dia.
Spect :to lookSpectator
nouna person who looks on or watches; onlooker; observer.a person who is presentat and views a spectacle, display, or the like; member of an audience.Also called spectator shoe. a white shoe with a perforated wing tip and back trim, traditionally of dark brown, dark blue, or black but sometimes of a lighter color.
Audi : to listen
Auditory
adjectiveAnatomy, Physiology. pertaining to hearing, to the sense of hearing, or to the organs of hearing.perceived through or resulting from the sense of hearing:auditory hallucinations.noun, plural auditories. Archaic.an assembly of hearers; audience.an auditorium, especially the nave of a church.
Agamemnon
Aeschylus was born in Eleusis, a Greek town near Athens, in 525 B.C. He was the first of the great Greek tragedians, preceding both Sophocles and Euripides, and is credited by many as having invented tragic drama. Prior to Aeschylus, plays were more rudimentary, consisting of a single actor and a chorus offering commentary. In his works, Aeschylus added a "second actor" (often more than one), creating a new range of dramatic possibilities. He lived until 456 B.C., fighting in the wars against Persia, and attaining great acclaim in the world of the Athenian theater.
Aeschylus wrote nearly ninety plays. However, only seven have survived to the modern era, including such famous works as Prometheus Bound and The Seven Against Thebes. Agamemnon is the first of a trilogy, the Oresteia, the other two parts of which are The Libation-Bearers and The Eumenides. The trilogy--the only such work to survive from Ancient Greece--is considered by many critics to be the greatest Athenian tragedy ever written, because of its poetry and the strength of its characters.
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